James Buchanan 'Bucky' Barnes (
nerves_of_ice) wrote2022-01-24 03:11 pm
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Leipzig AU: the choices we make
It's a month after Thessaloniki when he slips the unmarked, unstamped postcard in the mail at Sharon Carter's apartment.
(It had taken him the entire month to decide to reach out. He'd spent most of the time burying himself in his self-imposed work and not allowing himself to think about anything other than the mission. Eventually, he'd realized that it wasn't working, and that there was only one way to find out what he now needs to know, even if he can't admit even to himself exactly why he does.)
Of course there's always the chance she'll think it's just an advertisement and ignore it. If she does, he'll try again with something a little more obvious before deciding she's not interested in reconnecting. Still, he thinks she's clever enough to catch it, and to decode the message, which isn't that subtle when it comes down to it: time, place, location.
It takes far less than a minute to pick the lock on the mailbox security panel - two seconds, maybe three, and he's able to pull it open, drop the card on top of her mail, and secure it once more.
Bucky makes his way from her apartment back down the Berlin street quickly and quietly, cap pulled down to hide his face, and disappears into the crowd.
(It had taken him the entire month to decide to reach out. He'd spent most of the time burying himself in his self-imposed work and not allowing himself to think about anything other than the mission. Eventually, he'd realized that it wasn't working, and that there was only one way to find out what he now needs to know, even if he can't admit even to himself exactly why he does.)
Of course there's always the chance she'll think it's just an advertisement and ignore it. If she does, he'll try again with something a little more obvious before deciding she's not interested in reconnecting. Still, he thinks she's clever enough to catch it, and to decode the message, which isn't that subtle when it comes down to it: time, place, location.
It takes far less than a minute to pick the lock on the mailbox security panel - two seconds, maybe three, and he's able to pull it open, drop the card on top of her mail, and secure it once more.
Bucky makes his way from her apartment back down the Berlin street quickly and quietly, cap pulled down to hide his face, and disappears into the crowd.
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Although, honestly, if he doesn't want her doing aerials with mending ribs, he probably won't be so keen on her riding a motorcycle without a helmet.
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Does she always have one? No. But they're a nice-to-have.
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She tips her head towards the band, her smile crooking. "What do you think? Got a few more left in you? Or did you have some other plan for these last forty-five minutes or so?"
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Even without the aerials, she's having the time of her life.
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—only for the trio to switch it up on him with a transition right into a soft, jazzy tune that’s slow and perfect, and he takes her in his arms instead and moves back into a slower, closer dance.
“One more,” he murmurs. “Just one. Dance one more with me.”
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But then the music shifts and he doesn't let her go, only pulls her into his arms, and she goes willingly to her own destruction, folding herself against him,
She can't think when the last time was that she fell so hard and so fast for someone – maybe never. All she knows, as she sets her hand at the nape of his neck and leans her temple against his cheek, is she doesn't want it to end. "I don't want to let you go," she murmurs, her heart beating fast with exertion and nerves.
No matter what he says, she knows there's still a chance that this will be the last time she sees him, and if that's what happens, she's not ready to be done.
"Come with me tonight."
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A better man would find a way to play it off lightly, to try to keep her from asking something she’s certain to regret.
A better man wouldn’t be here risking her like this in the first place. He’s not a better man. Maybe he never was.
“Sharon,” he whispers. “Sharon. Are you sure?”
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And asks that question, like she isn't more sure about him than she's ever been about anything. Has been since she rolled the dice and put down her gun in France and came out of that cottage unscathed. "I'm sure."
This close, she murmurs it low, into his ear, as her arm tightens, holds him closer. "Come with me, Bucky."
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She’s sure, she says, and god, he wants to believe her - has to believe her.
“How can I say no?” he murmurs, with a soft breath that might be a laugh. “Okay. If you want me, you’ve got me. I’ll come with you.”
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The only thing that's kept her at even a slight remove is the knowledge that there are other people here. Her voice is very soft, almost a whisper. "You have to know I want you."
If it hadn't been obvious before, it surely is now, when she's pressed up against him and she's tried to find small ways to touch him all evening.
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“You have me,” he promises. “Or will. I can’t stop thinking about you, Sharon. Even though I shouldn’t.”
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As if what they were doing before wasn't enough to implode her career, her life, this – this could ruin it.
And she doesn't care. The last thing she wants is for everything to go back to the way it was before Franche-Comté. "But I don't care."
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“Want to get out of here?” he asks, keeping his voice low.
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"Like you wouldn't believe," she says, her smile flickering back into life, crooked and anticipatory.
It's amazing how quickly she can go from never wanting to leave to needing to get out of here as fast as they can.
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“Get your things,” he tells her. “Wait for me by the door.”
It won’t take him long to settle up, and he only needs a few moments more than that to make sure the way outside is clear.
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She doesn't go right to the door; she stops first by the band and leaves a generous tip, smiling as the musicians wink at her. "Thank you," she tells them, and then heads to stand by the door, waiting.
For her date. Just the thought gives her a little thrill.
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“Ready?” he asks, reaching to open the door back into the main bar.
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She precedes him through to the main bar and then out into the clear, crisp night, where she breathes deep of the slightly chilly early spring air.
It doesn't do a damn thing to cool her off, especially not when she looks back over and up at him. "Train?" she asks. "Or bike?"
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