James Buchanan 'Bucky' Barnes (
nerves_of_ice) wrote2022-01-24 03:11 pm
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Leipzig AU: the choices we make
It's a month after Thessaloniki when he slips the unmarked, unstamped postcard in the mail at Sharon Carter's apartment.
(It had taken him the entire month to decide to reach out. He'd spent most of the time burying himself in his self-imposed work and not allowing himself to think about anything other than the mission. Eventually, he'd realized that it wasn't working, and that there was only one way to find out what he now needs to know, even if he can't admit even to himself exactly why he does.)
Of course there's always the chance she'll think it's just an advertisement and ignore it. If she does, he'll try again with something a little more obvious before deciding she's not interested in reconnecting. Still, he thinks she's clever enough to catch it, and to decode the message, which isn't that subtle when it comes down to it: time, place, location.
It takes far less than a minute to pick the lock on the mailbox security panel - two seconds, maybe three, and he's able to pull it open, drop the card on top of her mail, and secure it once more.
Bucky makes his way from her apartment back down the Berlin street quickly and quietly, cap pulled down to hide his face, and disappears into the crowd.
(It had taken him the entire month to decide to reach out. He'd spent most of the time burying himself in his self-imposed work and not allowing himself to think about anything other than the mission. Eventually, he'd realized that it wasn't working, and that there was only one way to find out what he now needs to know, even if he can't admit even to himself exactly why he does.)
Of course there's always the chance she'll think it's just an advertisement and ignore it. If she does, he'll try again with something a little more obvious before deciding she's not interested in reconnecting. Still, he thinks she's clever enough to catch it, and to decode the message, which isn't that subtle when it comes down to it: time, place, location.
It takes far less than a minute to pick the lock on the mailbox security panel - two seconds, maybe three, and he's able to pull it open, drop the card on top of her mail, and secure it once more.
Bucky makes his way from her apartment back down the Berlin street quickly and quietly, cap pulled down to hide his face, and disappears into the crowd.
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He squeezes her fingers, shivering a little at her touch, then lifts her hand and presses a gentle kiss to her palm.
“I’ll be there. I promise. No more than half an hour behind you.”
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It's not long. Just over an hour. But –
"You better," she says, a little breathless. "Or I swear to God I'll hunt you down again. Don't you dare leave me hanging, Barnes."
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He's right, of course. It's safer for them both this way. Nerves and longing and anticipation tangle up her insides as she looks up at him, before her glance drops for a long moment to his mouth. "But before we split up," she says, low, and meets his eyes again before dropping her own once more as her fingers fist in his shirt and she pushes herself up, slowly, so he can stop her if he wants to.
But she wants a kiss, before they go their separate ways. Even if it's only for a little while. It doesn't matter. She wants it anyway.
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Her head's spinning by the time it breaks; she licks her bottom lip and can't pull away. "Wow," she murmurs, utterly stunned. "Okay."
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“Kiss me again,” he whispers. “I have to let you go catch that train, I know that, but kiss me again first.”
Slowly, he leans down again, his gaze intent.
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"Bucky," she says, helpless, as soon as she can take a breath, before she kisses him again.
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“Go,” he tells her. “Before I - we - go. I’ll be there as soon as I can.”
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"I'll see you soon," she promises. "Hurry. But be safe."
Sharon allows herself a last, heated glance, then rips herself away and turns, her strides quick and firm as she heads to the train station.
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Only once she’s there does he retreat to where he’d hidden his bike and hit the road at the highest possible speed.
At least it’s late enough that he’ll be able to evade traffic.
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There are CCTV cameras on the street and the building, but she knows he can work his way around them easily enough; hell, he might just come through a window. No one from the Task Force lives in her area and it's already past midnight – likely no one will spot him.
It's not safe. But then, none of this is or has been, and she knows he's run the exact same risk assessment, probably more than once.
By the time she gets back to her apartment, she has to work hard to believe this hasn't all been a dream – but the postcard he'd dropped in her mail is still there on the table when she lets herself in, and the blankets and nutcrackers and the cracked glass art are still in her tote. She takes off her boots and socks and replaces them with slippers, then carefully unwraps the glass art and sets it on the counter on its little stand.
It really is beautiful.
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He picks the lock on the service door and descends the stairs with as much care as he can, coming to a stop to rap once on her door forty-seven minutes after her train should have reached town, just over the promised half-hour from when she should have gotten home, if all went well.
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It's impossible to hide the relief in her eyes when she opens the door and sees him, even as her smile flickers into life. "Hi," she says, and steps back to let him in. "I'm a little surprised you didn't go for the window."
She goes to close the curtains on them now; the small window in the kitchen, the large glass door that leads to her tiny balcony, then turns to look at him, her stomach in nervous knots. "Welcome to my place."
It's small but neat, the kitchen opening into the living room, her bedroom door beyond. It had come pre-furnished, but she's added a few of her own touches here and there. Photos and invitations on the fridge, a few of the sturdier sort of houseplants, a shelf full of books. The playlist she'd put on drifts from a series of speakers placed around the apartment. "Do you..."
He's out of reach; everything in her thrums to go and put her arms around his neck and pull him into another kiss. "... want anything? Wine, coffee? Water?"
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He shakes it off and smiles, very slightly. “Sure. I’ll take some of whatever you’re having yourself.” Bucky glance around before looking back at her, his gaze drawn like a compass needle to north.
“Nice place. Really nice.”
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Whatever she's having. Her thoughts go blank for a second, before she remembers a bottle of chilled white wine in the fridge. She moves to the kitchen, tipping her head for him to follow her, and reaches down two wine glasses.
Two. When was the last time she needed to take down two? She's not sure she has, here. "I found an agent to help me get it while I was still in the States. Home sweet home, for now."
She uncorks the bottle with a pop and pours out a measure into each glass, then picks them up and comes closer to him, close enough to have to look up into his face, as she offers it. "Here."
Very softly, she adds: "Thank you for coming."
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“Thanks for inviting me,” he murmurs. “I was careful coming in. No one saw me. You’re safe.”
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To be honest, the trust he's showing in her just by showing up – when this could all have been a long con and he could have been walking into an apartment packed full of Task Force agents – leaves her almost breathless. "Oh, and – "
Sharon reaches past him to the paper bag on the counter and draws out the beautiful purple-and-smoke throw, folded nicely. She sets it down on top of the crinkling paper bag and smiles at him. "For later. Don't forget."
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He shakes his head at the very thought and looks to the throw. Something complex and almost longing passes over his face, and he shifts the wineglass to his left hand so he can touch the fabric with his right before he looks back at her.
“Thanks.”
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She watches as he reaches to touch the soft wool, the rich colors. "You're welcome," she murmurs, and shakes her head, very slightly, and shifts a little closer as she reaches to set her hand gently at his side.
"It's the first thing I've seen you pick. I couldn't resist."
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Aside from the framing of their meetings – Thessaloniki, the Spinnerei – he's had her choose almost everything else. She hadn't quite picked up on the pattern in Greece, but here, when he actually expressed an opinion, it finally clicked. "And it was a good choice, so..."
So she bought it. Because he deserves something nice. Something he likes. And like he said, he's trying to remember how to be a person again. Maybe that includes picking things out for himself.
Her thumb runs very gently over his side before she pulls her hand back again.
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“You’re pretty observant.” He sounds rueful.
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She curls her fingers around his, studying that wry cast to his expression. "What's wrong?"
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“Nothing new,” he says, simply. “It’s all right.”
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