James Buchanan 'Bucky' Barnes (
nerves_of_ice) wrote2021-06-10 06:47 pm
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[oom] I'll see you in the morning time
The low hum of the television on the twenty-four hour sports channel continues all through the night, casting its shadows and dim electronic light over the bed, the blankets, and the two of them curled up together there.
For once, there are no nightmares.
It's only once the sun starts making its way above the horizon and the sky outside begins to fade from black to blue that Bucky stirs - and as he realizes where he is and who's with him, a sunshine-bright smile lights his face.
For once, there are no nightmares.
It's only once the sun starts making its way above the horizon and the sky outside begins to fade from black to blue that Bucky stirs - and as he realizes where he is and who's with him, a sunshine-bright smile lights his face.
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The tab with the chosen sofa gets saved; she opens a few new ones to start a search for a small dining set. This might take a little longer; she'd had a vague idea for the couch but isn't quite as sure what direction to take with the table and chairs.
Round, square, rectangle? Extendable or drop-leaf? Solid wood, she thinks, and starts there. Dark wood, warm and homey. Soon she's absorbed in her search, clicking through to study and then dismiss various options or to save one in a new tab for later.
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Maybe he can get another stand to hold it, or maybe if he contacts the artist they’ll be able to suggest something to hold both pieces. He has a vague idea for a dual clear frame that wouldn’t block the light, but he’s not sure if such a thing even exists. Still, there’s no rush.
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Except her glance lands on the all-too-familiar piece of cracked glass art, and an anxious chill spills into her system. "Not in here," she says, more sharply than she'd meant.
She takes a breath, reminds herself she's not in Madripoor anymore, and aims for something approaching her usual tone. "We can find a spot in the living room, maybe."
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"Sharon?"
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She tamps down on the involuntary surge of anxiety and shakes her head, refocusing a little grimly on the laptop screen. It doesn't help; she's not absorbing anything she's looking at.
What's the best way to phrase this so it doesn't sound like she's having some kind of complicated emotional downward spiral? "I don't want it in the bedroom."
Yeah, that probably wasn't it. She adds, "Please."
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“Okay,” he says. “Now tell me why.”
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Couldn't he start with a simpler question, like what do you think space is? or does God exist?
She stares at the laptop screen without having any idea what's on it and says, "Because if I see it right when I wake up I'll think I'm back in Madripoor."
Which is true, even if it's not everything. She's not sure even she can articulate the everything that is her feelings about that piece of art.
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“Does it bother you to have it here?”
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Which is hedging, but it's a start. "It's complicated."
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“Okay,” he says again. “Can you tell me?”
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If she's going to voluntarily remember all this, she's going to need it.
"It took me three years to get to where I was," she says, after a few more long, quiet breaths. "I told you some of it – a lot of it – but it was... not a pleasant time."
The things she did. The things she had to do. "Having anything that would tie me back to... before... was too much of a vulnerability. And in the meantime I was doing worse and worse things and I didn't have anything that could remind me of who I was before because I couldn't. I couldn't afford it. I couldn't be Sharon Carter if I wanted to live."
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Maybe Sam has Fury’s number. If not, he can go looking.
“Uh-huh,” he says, trying to encourage her. Trying to make sure she knows he’s listening to every word.
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It helps. "So three years in, more or less, I set up the gallery, the penthouse. I couldn't have any photos or anything that was obviously from Wakanda. And you were gone."
That comes out a little strangely, a little too desperate. She swallows hard and focuses. "But I kept thinking about that art. It wouldn't be obvious, it would match everything else, and I was an art dealer so it would kind of be expected for me to have some pieces around. And I thought it would be nice – useful. Like a kind of code that was just from me to me. That maybe no matter how cracked and broken I got there was still some way to put the pieces back together. So I got it and I put it in my room where no one else would ever see it, and I looked at it every morning and every night and thought about you and found some way to get through another day."
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—no matter how cracked and broken I got—
He understands, all too well. He remembers first looking through the window of the gallery in Leipzig, struck to the bone by what he was seeing and how it resonated along every nerve with the hope of an impossible dream made something more.
He presses his hand a little harder against her back as he makes a low sound to let her know he’s still listening, and stays otherwise quiet.
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Now, what? She shakes her head at herself, trying to separate the part that's telling this story from the part that's having an intensely uncomfortable emotional relapse.
"So now when I look at it, it's like I'm back there. Then. Hanging on by a fingertip and thinking about how much easier it would be to just let go. And I know I'm not," she says, a little fiercely. "I know you came. I know I'm here. I know that's all real. And I couldn't ever give that piece up, it means too much to me. But I just – when I look at it now –"
She falls silent, shaking her head again. "I don't know how to explain it."
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“I get it, I think,” he murmurs. “We’ll find a way to display it where you can always see where you are, not just where you were.”
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“You’re so strong,” he murmurs. “One of the strongest people I know.”
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The last thing she feels right now is strong. Exhausted, yes. Fragile, definitely.
But his hand in his hair and on her shoulder feels good and she just focuses on that instead of anything else.
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He keeps petting her, slow and steady.
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After another few minutes, she adds, "Sorry for..."
She waves a hand in a vague gesture that means something like sorry for the emotional rollercoaster/bringing down the mood/the nasty surprise. She'd finally gotten some sleep, but she feels tired all over again.
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“You have nothing to be sorry for. Nothing.”
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So he believes it, which means she can believe it. "Okay."
She's watching him with her eyes solemn and dark, even as she tugs at one corner of her mouth. "That's good, because this probably won't be the last time it happens."
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(It's been just her for so long.)
She kisses him carefully back, then shifts again to press her face into his stomach and wrap her arms around his middle.
"Okay," she says again, muffled.
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